Category: Movie

  • Wow, What A Gem

    Wow, What A Gem

    If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction

  • 21 Bridges Review: An Average Film with a Powerhouse Lead

    21 Bridges Review: An Average Film with a Powerhouse Lead

    21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.

  • Richard is a Jewell

    Richard is a Jewell

    Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.

  • The Truth is….The Good Liar Rocks

    The Truth is….The Good Liar Rocks

    At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.

  • The Rape Post-Memory in ‘Grbavica’

    The Rape Post-Memory in ‘Grbavica’

    I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it. 

  • The Terminator: Lean and Mean Sci-Machine

    The Terminator: Lean and Mean Sci-Machine

    James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in…

  • Black and Blue: Racial Injustice to the Big Screen

    Black and Blue: Racial Injustice to the Big Screen

    In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.

  • ‘Dark Waters’ Review: A Gripping, Near Perfect Tale

    ‘Dark Waters’ Review: A Gripping, Near Perfect Tale

    I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness–but it will be known for being a fantastic, engrossing film.

  • Event Horizon: A Cinematic Misfire

    Event Horizon: A Cinematic Misfire

    All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for…

  • Ad Astra: Cinematic Hypnotism

    Ad Astra: Cinematic Hypnotism

    “Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.