Tag: Diversity & Inclusion
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“The Thursday Murder Club” Provides a Cozy Mystery
As a frequent “the book was better” extoller, this movie was well worth the watch.
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A Lesbian Breakdown of “Honey, Don’t!”
It’s sexy, regardless of what else is going on.
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Coolie (2025) Movie Review: Rajinikanth’s Style Outshines the Story
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
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“She Rides Shotgun” — A Gritty, Heartbreaking Father-Daughter Thriller
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror…
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War 2 Movie Review: Hrithik & Jr NTR’s Electrifying Showdown
A high-octane spy thriller where Hrithik Roshan and Jr NTR’s clash brings explosive action, stylish direction, and emotional depth. Here’s my take on what makes it a must-watch in the YRF Spy Universe.
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Happy Gilmore 2—Fun Romp with Poignant Themes
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time
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Saiyaara (2025) Review – Mohit Suri’s Most Successful Film Starring Ahaan Panday and Aneet Padda?
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
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I Love You Forever—RomCom Turned Nightmare Relationship
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.
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Challengers—Blurring the Lines of Platonic and Romantic Love
What happens to an inseparable bond when love for competing morphs into competing for love?
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“Opus” Is Fun But Doesn’t Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.