Tag: Film Review
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“Fantastic Four: First Steps” (2025) Film Review-OMG…a Marvel movie to love again!
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008’s absolutely excellent “Iron Man”. The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale “Avengers: Endgame”.
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“Superman” (2025) Film Review-Up, Up, and, sadly, mostly falls away
If I had truly wished to witness “Guardians of the Galaxy”, I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this…
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Mahavatar Narsimha Movie Review – A New Era for Indian Animation
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
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Happy Gilmore 2—Fun Romp with Poignant Themes
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time
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Saiyaara (2025) Review – Mohit Suri’s Most Successful Film Starring Ahaan Panday and Aneet Padda?
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
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Five Nights at Freddy’s—Exciting Game Adaptation or Boring Snoozefest?
In light of the trailer release for the Five Nights at Freddy’s sequel, it’s due time to talk about the first movie.
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I Love You Forever—RomCom Turned Nightmare Relationship
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.
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Challengers—Blurring the Lines of Platonic and Romantic Love
What happens to an inseparable bond when love for competing morphs into competing for love?
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Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.
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“Opus” Is Fun But Doesn’t Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.