Tag: Netflix
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Women Are Just Convenient Puzzle Pieces in “Animals”
A deer caught in the headlights is the perfect metaphor for Animals.
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“East of Eden”: Women Can Be Monsters Too, and It’s Time We Acknowledge It
Amid the ongoing debate surrounding Christa Pike’s death sentence, watching East of Eden, which shows that women can be monstrous too, is definitely refreshing.
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The Show Must Go On In “Don’t Say Good Luck”
Sunny Sandler, daughter of Adam Sandler, stars in a new Netflix film directed by Julia Hart, and it has caught the attention of many younger audiences as they watch this heartfelt coming-of-age story. The film’s relatability of just being a normal teenage girl also tells a devastating reality that many cannot fathom facing. The storyline…
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When a Hearing Disability Becomes a Criminal Talent in “Tuner”
Although Tuner is technically a heist movie, music and sound are woven into almost every aspect of Niki’s story. That’s what made Tuner such a pleasant surprise. I expected a film about music and discovered a heist movie, only to find that music was still at the heart of it.
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In “Is God Is,” Psychic Twins Seek Revenge
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
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It’s Theater VS Cancer in “Don’t Say Good Luck”
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress -…
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“Mile End Kicks”: Filled With Nostalgia, But Was Not Memorable
Released on Netflix this last July, Mile End Kicks, catches the eyes of those who are wanting to escape the disasters of 2026 and visit the era of peak Tumblr, unforgettable music hits, and iconic fashion trends—-of 2011. This coming-of-age film directed by Chandler Levack succeeds at portraying an accurate representation of what life was…
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I Wouldn’t Recommend “The Last House” If It Was The Last Movie On Earth
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
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“I Want Your Sex” Is The Erotic Thriller We Deserve
The Olivia Wilde renaissance is upon us.
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Why “People We Meet On Vacation” Did Not Meet Its Full Potential
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.