Tag: Representation
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“Elio” and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
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Sorry, Baby (2025) for Being Born a Woman
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
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Animal Farm: Viva la Dystopia
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
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“Tow” Tells the True Story of a Woman Who Sued the System
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
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“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
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Amazon Prime’s Pretty Lethal: Makes No Sense, Is No Fun
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for…
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Redux Redux (2026) and the Violent Nature of Motherhood
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that’s all that she does.
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New Documentary “Pretty Ugly” Tells the Story of The Lunachicks
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
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Pretty Lethal (2026): When Ballet Turns Brutal
You’ve heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
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“Mercy” is a Pro-AI Sci-Fi Thriller that Barely Makes Sense
Even without the messaging, Mercy does not hold up as a movie. It’s sloppily done and the mystery doesn’t tie together at the end.