Articles
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Finding Strength Through Faith and Guidance
The Forge is a moving story about a young man’s search for purpose. Through mentorship, discipline, and faith in God, his life is transformed from confusion into clarity, reminding us that true greatness is shaped in the fire of surrender and growth.
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Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.
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Past Lives (2023) – What If Timing Was the Only Thing That Got in the Way
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
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STRAW 2025: A Mother’s Silence Was Louder Than a Siren
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
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‘The Marvels’ is Actually One of the Best Marvel Movies, No Matter What the Critical Majority Says
This may be controversial… but ‘The Marvels’ is actually one of the best movies in the MCU. 10 reasons why ‘The Marvels’ killed it.
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“Not My Dog,” But It Should Be
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.
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“Dreaming Whilst B\@*k”
Masterful satire that shines a light on the struggles of Black creatives.
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In “Is God Is,” Psychic Twins Seek Revenge
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
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“Nightborn” and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
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Roll “S.W.A.T.”
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
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“On the Road” (2026) is A Neon-Noir Western on Mexico’s Desert Highways
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
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“The Sun Never Sets” on Male Fragility
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
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“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
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“By Any Means” and the Pitfalls of Entertainment
It is up to the community to decide if this film is a force for enlightenment or not.
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