Category: Drama
-
Challengers—Blurring the Lines of Platonic and Romantic Love
What happens to an inseparable bond when love for competing morphs into competing for love?
-
Past Lives (2023) – What If Timing Was the Only Thing That Got in the Way
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
-
Beautiful “Materialists” Can’t Quite Find Its Footing
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
-
Mission: Impossible – The Final Reckoning Review: A $400M Blockbuster That Defies Gravity and Logic
Armed with a $400M budget and Tom Cruise’s death-defying stunts, Mission: Impossible – The Final Reckoning delivers pulse-pounding action even as its plot falters. From underwater silence to high-altitude madness, it’s pure adrenaline powered by old-school movie magic — but is this really Ethan Hunt’s final mission?
-
The Wedding Banquet (2025): A Window into Modern Day Queer Relationships
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
-
STRAW 2025: A Mother’s Silence Was Louder Than a Siren
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
-
The Phoenician Scheme: A Man of No Identity
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
-
With ‘American Fiction,’ Cord Jefferson offers a fresh lens on the cinematic sub-genre of racial satire
Cord Jefferson’s hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today’s media.
-
‘American Fiction’ Speaks Truth
American Fiction is a genuinely entertaining film with a few lessons.
-
Not Much More than Magic in ‘Maestro’
In ‘Maestro,’ we’re left with an impression but not with an understanding of the main character.