Tag: Movie
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In “Is God Is,” Psychic Twins Seek Revenge
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
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“Nightborn” and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
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“On the Road” (2026) is A Neon-Noir Western on Mexico’s Desert Highways
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
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Why “The Watermelon Woman” is Just as Powerful 30 Years Later
This movie will always resonate with queer people, for as long as queer people exist.
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“Spider-Man: Brand New Day” And Struggling With Grief
The highly anticipated Marvel superhero movie of the year displays important themes of loss, loneliness, and change.
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Experimenting with Swimming, Trauma, and Poetry in “The Chronology of Water”(2026)
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of…
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Escape White Suburbia in “The Gates”
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings – Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their…
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It’s Theater VS Cancer in “Don’t Say Good Luck”
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress -…
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Autonomy, Motherhood, and Deaf Culture in “Deaf” (2025)
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
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“Mile End Kicks”: Filled With Nostalgia But Not Memorable
Released on Netflix this last July, Mile End Kicks, catches the eyes of those who are wanting to escape the disasters of 2026 and visit the era of peak Tumblr, unforgettable music hits, and iconic fashion trends—-of 2011. This coming-of-age film directed by Chandler Levack succeeds at portraying an accurate representation of what life was…