Tag: Representation
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“Buddy” and Analogue Horror
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
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“Nightborn” and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
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Roll “S.W.A.T.”
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
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“On the Road” (2026) is A Neon-Noir Western on Mexico’s Desert Highways
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
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“The Sun Never Sets” on Male Fragility
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
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“By Any Means” and the Pitfalls of Entertainment
It is up to the community to decide if this film is a force for enlightenment or not.
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Why “The Watermelon Woman” is Just as Powerful 30 Years Later
This movie will always resonate with queer people, for as long as queer people exist.
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“Coyote vs. Acme” and People Power
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.
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I Was a “Teenage Sex and Death at Camp Miasma”
If you identify as part of the queer community, or if you love old school slasher flicks, you will love this movie.
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Experimenting with Swimming, Trauma, and Poetry in “The Chronology of Water”(2026)
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of…