Tag: Representation
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‘Killers of the Flower Moon'(2023): A Beautiful Tragedy
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
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‘My Big Fat Greek Wedding 3’ is a VICTORY for queer representation
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos’ ‘My Big Fat Greek Wedding’ franchise.
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The Case of ‘Rise of the Pink Ladies’ and ‘A League of Their Own’: Why Won’t Hollywood Give Sapphic Shows Their Due?
The cancelling of these series is being blamed on the writers’ strike and low viewership, but it’s just the latest example of the industry’s lack of appreciation for stories about queer women.
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The New ‘Old’ Hollywood that is ‘Babylon’
‘Babylon’ is an exhilarating journey one has to brace themselves for
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‘Kizazi Moto: Generation Fire’ – A Promising New Afrofuturism Series from Disney+
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
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Revisiting the Holy Trinity of Aroace Disney Princesses for Pride Month
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.
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Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
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NYFF Review – ‘The Inspection’ Unearths Empathy in the Trenches of Bootcamp
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
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Predator’s Seventh Entry, ‘Prey’, Is A Breath Of Fresh Air
‘Prey’ is the seventh edition of the Predator series and offers a new take on the iconic hunter and an amazing representation of Native Americans.
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Hitchcock’s Subtextual Coding in ‘Rope’
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to ‘Rope’, and it starts in the first frame.